I am pleased to announce that Tin Road, the exciting sequel to Metal Heart, is now available on Amazon for purchase via paperback and ebook. For those who loved the first book and want to continue following the journeys of our intrepid heroes, you don't have to wait!
Tin Road is the second book in the Metal Heart series that follows the exploits of young women and men conscripted into "national service."
This installment focuses on Scarlett Buford and Rabbit Santiago as they escape from the Fort Columbia base and travel to Mexico City, carrying with them a cure for the nanovirus. At the same time, a mysterious clone awakes on the East Coast and joins forces with a super artificial intelligence with the same goal of eliminating the nanovirus. But do all of their purposes truly align? Who will get to the cure first, and who will get lost along the way?
AND it's been newly revised and streamlined for print, which makes this the SECOND edition. I spent Fall 2019 and Summer 2020 reducing word count and otherwise cleaning up errors and fitting it better into the overall continuity of the trilogy. It's the second book in the series to be included in the Multnomah County Library Writers Project collection.
The third book in the series, Iron Curtain, is in production now and will be available in Spring 2021! You don't have to wait long. ;)
PLEASE NOTE: If you decide to purchase a copy, shoot me an email at: email@example.com and I will mail you a signed book plate to attach to your book (yagirl has a jobby-job now and signed special deliveries won't fit in the holiday schedule).
Purchase your copy today!
Last year I did a reverse Nanowrimo and cut 30k words out of a manuscript. It was a bit of a grueling process, but actually felt really, really good and resulted in a version of Tin Road that I was confident enough to submit to a local library collection. And it was accepted! It's now available in paperback form for purchase.
I haven't officially announced it yet (I'm going to do a promotional/fundraising push to raise some book and food funds for my Little Free Library closer to Thanksgiving) but for anyone who actually reads my blog and wants a copy, you can purchase now on Amazon. If you show me the receipts, I'll even send you a signed bookplate! I know, Amazon is the devil. But it's allowed me to fulfill one of my meager life goals, which is getting my books in print.
This year, for Nanowrimo 2020, I am torn. I finished the draft of the third novel: Iron Curtain. I got feedback from beta readers. I am in the process of applying some changes and angling to submit to the 2021 Multnomah County Library Writers Project. If that doesn't happen, I still plan to publish it in Spring 2021.
So, I could spend all of November 2020 cleaning up this manuscript.
Or, I could write something new. I have a story that's been burbling in my brain for a while now and it really, really, really wants to get out. I even went so far as to make it a playlist, so you know that's when things are getting really serious. If this brain book and I were dating, making a playlist is the mental equivalent of going Facebook official. I don't really know if that metaphor worked...
Anywho. If I decide to tackle Iron Curtain, the main things I'm looking at are cleaning up the last 12 chapters (out of 32) and overall beefing up the language. Basically, a back-section DE and a line edit. That seems doable in a month. Then I could pass it off to my beta readers for one last review before it goes the MCLWP in early 2021.
BUT if I decide to tackle the new project, that is starting over entirely from scratch. I have a rough outline, a rough character sketch, I know what she wants (and what she REALLY wants, and what she needs). I don't have all the specifics mapped out, but I have a general idea of where it's going. I have to admit, the idea has appeal and some merit. I've been embroiled in the Metal Heart world for months now, and taking even a week long pause to ACTUALLY read a book (bless you Undead Girl Gang for being the one) really helped me approach the manuscript with new eyes. Why, just yesterday I unearthed a fun little plot swivel that will make the ending much more interesting and dynamic.
I'm quite prepared to enact either plan. OR BOTH. I think both will probably be disastrous, but hear me out. No, really.
What if I took half the month to vomit out 25k words of a story that's been taking up a lot of my brain space lately?
And then what if I took the other half of the month to finish cleaning up Iron Curtain so it can FINALLY see print and the fates of my favorite idiots will FINALLY be secured properly?
These are the very questions that have kept me up the last few nights.
And I'm still not clear in what order those things would best fall together. Part of me says: Iron Curtain first. Then take a breather. LET IT BREATHE. Work on this new book and get it out your system. And then come back to Iron Curtain with EVEN FRESHER eyes.
I know. It's too much. Yagirl is always in danger of doing TOO MUCH.
The pragmatic, realist side of me says: You'd better just get this damn book FINISHED. Like, all the way finished. No more distractions. No other WIPs and fun side stories. Iron Curtain is the end of a writing era and it deserves my full attention until it is the best possible version it can be.
I think you can tell which side I am landing on. But when it comes down to November 1... I still have no idea what I'll ACTUALLY do. Here goes something...
I am pleased to announce that Metal Heart is now available on Amazon for purchase via paperback and ebook. It's been a long time coming and I can't wait to hold a copy in my hands and share it with the world in an exciting new format!
"Eleni Garza watched her parents die in a terrorist bombing that stopped her heart. Prothero, a shady corporation, saved her life by implanting her with experimental nanotechnology.
To repay that debt, Prothero enlists her in military service. During a routine combat simulation, strange powers emerge and Eleni discovers she may have a cure for a global virus. She may, in fact, be the cure to the virus.
Now she must escape a heavily fortified military base and deliver the cure to the same terrorist organization that killed her parents."
AND it's been newly revised and streamlined for print, which makes this the SECOND edition. I spent Summer and Fall 2019 reducing word count and otherwise cleaning up errors and fitting it better into the overall continuity of the trilogy.
I've offered to purchase author copies of Metal Heart, sign them, and hand deliver them around the Portland Metro area in September 2020. If you're interested, shoot me an email at: firstname.lastname@example.org
Otherwise, you can purchase your own copy now.
Following extensive revisions, cutting 30k words, and cleaning up the overall manuscript, I submitted Tin Road for consideration in the Multnomah County Library Writers Project collection. It was launched on Smashwords in December 2019 and without much marketing (digital or otherwise) it's been downloaded almost 200 times in the last month. Not bad for a sophomore effort. :)
After the last few weeks of professional highs and personal lows, and especially yesterday suffering a bleak morning of wallowing in my own failings as an author/writer who still has yet to be traditionally published...I received the heartening news that Tin Road has been accepted into the 2020 edition of the MCL Writers Project. I discovered this whilst riding on the MAX, so tears were most definitely shed on public transit. Hard to say at this point whether they were happy or sad. A little bit of both.
It's been a wild 2020 thus far.
It will be available for download in about a month, so prepare yourselves accordingly!
And really, this good news couldn't have come at a better time. I'm planning to re-launch a newly revised version of Metal Heart in the next few months, along with print-on-demand editions of both books available through Amazon. Literally just waiting on our tax return to make it happen.
I will take an audiobook production course this spring term, and hope to record these titles as audiobooks this summer (just gotta secure that MA first). Along with juggling finishing up/revising Iron Curtain and submitting Astrid and starting on a new WIP (Rosita Ruins the Heist).
It's taken me a long while to come to terms with the Metal Heart book series never being published traditionally, and I'm just happy to have the knowledge and skills to make this story available via different media. This doesn't mean I've veered completely off the path to traditional publishing. I'm looking forward to graduating soon and having time to properly submit Astrid to publishers, as well as work on other books that are currently rattling around in my head.
There should be room for individuals to both self-publish and traditionally publish their materials. Especially since the more I learn about publishing as a commercial enterprise, the more I realize the myriad reasons that Metal Heart would likely never be picked up by a traditional publisher, but at least will find some validity in being enjoyed through alternative means.
I've found incredible value in pursuing both routes and very much appreciate that they both exist.
The Approaching the 2019 Nanowrimo while juggling two part-time jobs and full-time grad school (plus motherhood but who's counting) meant that I had to make some realistic choices. Could I expect to write anything new in 30 days, especially 50k words worth of something new?
No. Not really. BUT I could put to practice some of the sweet developmental and copyediting skills I've gained over the last year in the Book Publishing MA program at Portland State University.
So my goal became simple: cut 50k words from a bloated 150k manuscript instead. The bloated manuscript in question is Tin Road.
The first step in downsizing or upsizing is to know what you're working with. Since I typically don't write from highly structured outlines (I use a very rough outline and take notes in the same document as I write), I had to reverse engineer an outline based on the current material. I crafted a table, listed out the chapters, gave them breezy subtitles, and loosely described each chapters content.
Then I color-coded. So much color coding. I love a good color based organizational system. I used yellow and red because they're bold and bossy. Yellow was like "this chapter could be trimmed" and red was like "probably could cut this entirely." There weren't nearly as many red rows as I'd hoped, which meant the harder job of making line by line cuts. But also, at the same time, cleaning up the content. I did get to hack away at cringe-worthy scenes or moments that just weren't feeling good.
ONE PIECE OF ADVICE. If the writing doesn't feel good, if it makes you cringe, then it's not good and you should cut it without mercy. Your gut instincts are always on target. I did some gut cuts , as well as trimming dialogue.
DIALOGUE CAN ALWAYS BE TRIMMED. No reader needs a "yeah" or "well" to kick off a sentence and no reader needs nearly as much blocking or descriptions in the dialogue as you think they do. I even found myself dispensing of dialogue tags altogether in favor of trusting a reader would know who was speaking based on voice and placement in the scene. Kinda tricky and scary, but worth it to step out of the way and let the characters talk to one another without leaning back on blocking. Plus, it dropped my word count considerably.
BYE BYE EXPOSITION. Part of the book is following the journey of two fugitives. It's a road book, and that meant a lot of logistics plotting and descriptions of new environments. Which is where a lot of the bloat was located. Who needs three pages of describing a location that is only gonna be used to stage about two minutes of action? Cut cut cut.
SCENE IT BEFORE. And sometimes there is a scene that's almost exactly like another scene except the characters are maybe saying different things. Is it needed? Could the dialogue be moved elsewhere? Good riddance then.
THE END RESULT. Not as successful as I hoped, but for a couple of reasons. I fell about 20k words short of my lofty goal, which was a bummer. HOWEVER, I did emerge with an entirely edited and fairly clean copy of a manuscript that was reduced by 20% (maybe, I don't math well). AND keeping the 120k words made sense in light of the fact that I had two narrators telling different stories (interwoven, but still). That was roughly 60k words per narrator and story which is lean. If I cut anything else, it might end up causing both tales to be anemic.
AND NOW. I'm giving it a final once-over and then formatting it to be entered into the Smashwords catalog and then the 2019 Multnomah County Library Writer's Project contest by the 12/15 deadline. Wish me luck.
Regardless of its acceptance into the contest/catalog, I plan to make Metal Heart and Tin Road available for ebook and print this year.
Melinda Jasmine Crouchley, YA science fiction author and professional editor.